RAY METZKER

Ray Metzker’s images question the nature of the photograph and photographic “reality.” Through cropping, multiple imagery, and other formal inventions, his work explores options for transforming the vocabulary of the photograph. “Untitled” from 1969 illustrates the simple method of manipulating objective information through juxtaposition: two distinct women on the beach enter into a yin-yang relationship of line and gesture.
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